Or – “Tibbles & the Daleks #4: Capitalist Dalek”
Sometimes, there’s just a story that pushes you to reconsider a lot of stuff you took for granted.
See, one of the very first things I wrote for this humble blog was a contradictions-ridden series about the Daleks, their aesthetics, and their politics. Which arrived at the semi-sincere, semi-provocative conclusion that Daleks, as symbols and embodiments of fascism, had kind of ran their course, prisoners of a rather dated idea of totalitarianism, incapable of properly carrying a story in a post-Trump world. By othering fascism, they shift the blame away from the human race, away from our own potential for horror.
As it turns out, that might have been a really bad take. For starters, giving human fascists the benefit of “complexity” feels a tiny bit too centrist, in this day and age. But mostly – writers have adapted, and overcome, and found ways to connect the Daleks with sheer, raw political horror once again. The first sign came from Janine Rivers’ “Ghosts in the Machine”, a fan audio which came out a few months ago (1), and its very direct engagement with the worst of alt-right ideology, albeit seen through a sci-fi prism. And then, completely unexpected, the Big Finish writing debut of one David K. Barnes, award-winning audio writer and official recipient of the Best BF Barnes award (they have like, four of those now?) – “The Dalek Occupation of Winter”.