Welcome to DoWntime’s not-too-regular column, Assessing Stress. That’s where we assess … stress. Or more accurately, talk and debate about the newest episodes to hit the television screen, the new releases from Big Finish, and all these good things. Spoilers after the “read more” tag.
And today, Tibère and Scribbles tackle Big Finish’ latest short trip, following Nyssa at the heart of the Time War. Beware terrorists, and keep on reading.
TIBERE: Big Finish has started, of late, to use its Short Trips range (which are, in case you reader are not aware, short thirty-minutes stories with one or two actors) to tackle some New Who themes and characters – we got Ten and Eleven meeting Jago & Litefoot earlier this year, and it happens that today, just as we were starting to write this talk, they announced that Jackie Tyler would star along the Metacrisis Doctor in two stories by Joseph Lidster next year. So, well, we had to get on that train and start reviewing those, hadn’t we? Because seeing how Big Finish tackles and problematizes the New Series, well, that’s kind of our job, I suppose. So here we go, writing about the two Time War stories they are releasing: one with Nyssa this month, and another with Susan in October.
SCRIBBLES: I must admit, I was pretty cynical about the idea. In general, I don’t think third person narration is the strongest angle Big Finish has in its wheelhouse, and I tend to worry that the shorter stories give less space to develop. And while there are a few aspects of this story I’d have liked more time to expand on, it surpasses all expectations and really, really works. It finds some fantastic moments of meaning in juxtaposing its lead characters, all to shine a light on an aspect of the Time War that has generally not been developed despite being a vital piece. It works. Very well.
TIBERE: I think the background BF has in short story anthologies (like the Bernice Summerfield ones they use to release as tie-ins to the audios) really help them to create really short, but effective little stories. A strong concept that doesn’t overstay its welcome and explores some really fascinating thematic ground – really, the interaction of Old and New is something Big Finish tends to do very well (look at Doom Coalition), and this is no exception. It’s a gripping, political, extremely-well written little tale, and I think it’s fair to say it has put newcomer Rob Nisbet (who has so far only penned a Companion Chronicle and this) on our watchlist of writers to watch out for. Strongly recommended (plus, it’s cheap!).