GUEST POST – Whoniverse, Bring Out Your Dead: Death, resurrection, and the obligations of Doctor Who – Part 4: On the obligations of Who as a family show

by A.L. Belmont

 

With the last two companion departures, a great deal of discussion has sprung up about whether Steven Moffat is justified in apparently killing off companions and resurrecting them within a short time frame. There are a lot of assumptions implicit in the argument against resurrection, so in this article series, I’ll analyze what I think are the five key assumptions.

Parts 1 and 2 of this series treat the death-resurrection combination in the abstract. Part 3 examines the specific cases of Clara and Bill, and part 4 looks at death and resurrection in the context of the show’s ethos. This fourth part evaluates the death-resurrection sequence in the context of Doctor Who as a family show that seeks to impart edifying lessons.

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GUEST POST – Whoniverse, Bring Out Your Dead: Death, Resurrection, and the Obligations of Doctor Who – Part 3: On Clara and Bill’s resurrections

by  A. L. Belmont

 

With the last two companion departures, a great deal of discussion has sprung up about whether Steven Moffat is justified in apparently killing off companions and resurrecting them within a short time frame. There are a lot of assumptions implicit in the argument against resurrection, so in this article series, I’ll analyze what I think are the five key assumptions.

It turns out that a big part of the “should dead characters stay dead” controversy stems from Moffat’s “disquieting tendency” to revive dead characters (because apparently, though I learned in statistics class that two points make a line and three make a trend, in the Who fandom, two points make not only a trend but an extremely distressing one on par with rising global temperatures and political polarization). So this third part examines the roles of death and resurrection in Clara and Bill’s arcs and asks whether either was necessary.

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GUEST POST – Whoniverse, Bring Out Your Dead: Death, Resurrection, and the Obligations of Doctor Who – Part One: On the nature and responsibilities of fiction

by A.L. Belmont

 

With the last two companion departures, a great deal of discussion has sprung up about whether Steven Moffat is justified in apparently killing off companions and resurrecting them within a short time frame. I’ve been following the controversy and find it interesting that the general anti-resurrection argument has shifted from “Moffat should not kill companions” to “If Moffat is going to kill a companion, they need to stay dead.” As one Redditor put it:

“People don’t care that he doesn’t want to kill his characters. People care that he keeps repeatedly killing them, and then bringing them back. Either kill them, or don’t, because what he’s doing right now is cheapening death entirely. It’s difficult to take any kind of death seriously when it’s so easily undone all the time.”

The Redditor also said that Moffat apparently doesn’t really understand these criticisms, and I’m quite sad about that because that means nobody has really mounted an effective counterargument to these (excellent and very valid) points. Not that that’s a problem, necessarily. Maybe this is all just gut feelings in the end, and I have a gut feeling that dead characters do not have to stay dead, but you have a gut feeling that dead characters have to stay dead, and we should all just take a deep breath and get off the Internet. Nonetheless, I’m going to be that person who insists there’s some deep reason behind everything. So let’s get to it.

I’ve noticed a lot of assumptions implicit in the anti-resurrection argument as represented here and elsewhere, so I’d like to dissect what I think are the five main ones. Parts 1 and 2 of this series treat the death-resurrection combination in the abstract. Part 3 examines the specific cases of Clara and Bill, and part 4 looks at death and resurrection in the context of the show’s ethos. This first part asks whether death in fiction has to work like death in real life, and whether resurrection is technologically possible in the Whoniverse.

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THE TRUTH SNAKE – The Power of the Not Dead

It’s inevitable at this point, really. This week, there’s outcry over what happened to Bill in World Enough and Time.” Give it twenty-four hours, though, and we’ll hit something new: outcry over Bill still being alive.

It’s a common trope in Steven Moffat’s era of Doctor Who for characters to die temporarily, only to have their stories continue on in some manner. To put it lightly, this has attracted a fair bit of criticism. As one Tumblr post puts it, “I’m sick of all this ‘everybody lives’ bullshit. When no one dies in a story other than the villain, there is no tension, no drama, no excitement to see the Doctor prevail.” This line of criticism is quite widespread. It shouldn’t be surprising to know that Bill’s fate immediately was leapt upon not just by hurt viewers hoping she’d make it out okay but by this particular fandom mindset hoping she’d stay dead for an arbitrary sense of consequences. Even before the episode aired, reviews bemoaned it with comments like, “will any of it stick? It’s hard to get 100% invested in the things that transpire when you have that nagging suspicion at the back of your mind that it can (and likely will) be undone.”

But this fundamentally misses the point. There are shows that thrive on uncertainty of survival and high stakes drama. But that approach is not one that in any way fits Doctor Who. Our Tibère/Sam wrote a nice piece on the problems of applying that storytelling logic to Doctor Who here. The gist of the issue is, programs like that encourage a cynicism and lack of regard for character that is alien to this program. Doctor Who is a character-driven adventure story generally told through the lens of the companion. They’re the main character. And while shock death of a main character may be well and good for upping the stakes in a Hitchcock thriller, it encourages detachment from the characters that ground the show in something like Doctor Who. In this show, killing characters isn’t the way, and bringing them back typically offers far more wealth of storytelling. Killing offers less investment and less reason to invest in the hearts of the stories. Resurection offers new directions for the story to live on.

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